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Ronnie Landfield

Ronnie Landfield, né le dans le Bronx (New York), est un peintre abstrait américain.

Ronnie Landfield
Ronnie Landfield et Border Painting 8, 1966, photo de Tom Gormley, NYC, juillet 1966.
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Site web
Garden of Delight, 1971.

Au début de sa carrière, du milieu des années 1960 aux années 1970, ses peintures étaient associées à l'abstraction lyrique, liée au post minimalisme, au Color Field painting et à l'expressionnisme abstrait.

Biographie

Landfield, surtout connu pour ses peintures de paysages abstraits, a organisé plus de soixante-dix expositions individuelles et plus de deux cents expositions de groupe. En 2011, il a été décrit par la LewAllen Gallerie comme « à l'avant-garde de l'art contemporain... l'un des meilleurs peintres d'Amérique »[1].

Il était représenté par la galerie David Whitney et la galerie André Emmerich.

Rite of Spring, 1985, (exposé: The Brunnier Museum, Ames Iowa, 1988).
The Deluge, 1999, (exposé: Salander / O'Reilly Galleries NYC, 2000).

Dans les collections

Prix

  • MĂ©daille d'or pour la peinture au San Francisco Art Institute, 1965,
  • William et Noma Copley Grant (Fondation Cassandra) 1969,
  • Subvention du Fonds national pour les arts Clayworks NYC 1983,
  • Subvention de fondation Pollock-Krasner 1995,
  • Subvention Fondation Pollock-Krasner 2001, 2013 (Subvention d'urgence)
  • Bourse de recherche en artistes 2001, 2002, 2003, 2007 et 2012.
  • Subvention d'urgence de la Fondation Adolph et Esther Gottlieb, 2012
  • Subvention d'urgence de la Fondation Joan Mitchell, 2012
  • Subvention d'urgence de la Fondation des arts de New York, 2012

Bibliographie

  • Robert C. Morgan, Dr. Louis A. Zona, Exhibition Catalogue, Ronnie Landfield: Paintings From Five Decades, The Butler Institute of American Art, (ISBN 1-882790-50-2)
  • Perspectives, lecture: Ronnie Landfield and Stephen Polcari, Jackson Pollock's One 1948, El Greco's View of Toledo and Willem de Kooning's Painting 1948. Art Students League of New York, tape on file at the ASL, January 5, 2006.
  • Glueck, Grace, Color Coded, Ronnie Landfield and Peter Reginato, at the Heidi Cho Gallery, Chelsea, NYC exhibition review, The New York Times, Art in Review, Friday, November 4, 2005
  • Do Aesthetics Matter? A panel discussion with Arthur C. Danto, Robert C. Morgan, Karen Wilkin and Ronnie Landfield as moderator, the Art Students League of New York, January 1999, tape on file at the ASL.
  • Wilkin, Karen. At the Galleries, Seven Painters, Exhibition review, Partisan Review, 1996, #1, pp. 91–93.
  • Monte, Jim. Seven Painters at Nicholas Alexander, Exhibition review, Art in America, May, 1996, p. 113.
  • Karmel, Pepe. Seven Painters, Exhibition review, New York Times, November 17, 1995, p. C30.
  • Landfield, Ronnie, In The Late Sixties, 1993–95, and other writings - various published and unpublished essays, reviews, lectures, statements and brief descriptives at abstract-art.com.
  • Cool and Collected or Too Hot to Handle Panel Discussion, Tenri Cultural Institute. New York Panelists included: Ronnie Landfield, Klaus Kertess, Ellen Handy, Joan Snyder, and Karen Wilkin as moderator. Sponsored by Triangle Artists Workshop, tape on file, 1994.
  • Cool and Collected or Too Hot To Handle. A Modernist Response to Post-Modernism, Panel Discussion, text on file, New York Studio School, New York Panelists included: Ellen Handy, William Pettet, John Griefen, Peter Reginato, and Ronnie Landfield as moderator, 1994.
  • Negroponte, Diane, Contemporary American Artists, Exhibition Catalogue, US Embassy, Manila, the Philippines, 1994.
  • The Landscape in Twentieth-Century American Art, Selections from the Metropolitan Museum of Art, Rizzoli, NY 1991, p. 165.
  • Wilder, Nicholas, Thoughts on Ronnie Landfield, Exhibition Catalogue, Linda Farris Gallery, Seattle Wa. 1989.
  • Messenger, Lisa, Dialogues in Art, Exhibition Catalogue, Palazzo Ducale di Gubbio, Italy 1984.
  • 1973 Biennial, Exhibition Catalogue, Whitney Museum of American Art, NYC. December, 1973
  • Prokopoff, Stephen, Two Generations of Color Painting, Exhibition Catalogue, Philadelphia Institute of Contemporary Art, 1971.
  • Lyrical Abstraction, Exhibition Catalogue, Whitney Museum of American Art, NYC, 1971.
  • Highlights of the 1969-1970 Season, Exhibition Catalogue, Aldrich Museum of Contemporary Art, Ridgefield Conn.
  • Annual Exhibition, Exhibition Catalogue, Whitney Museum of American Art, NYC. Dec.1969.
  • Aldrich, Larry, Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp. 104–113.
  • Junker, Howard, The New Art: It's Way, Way Out, Newsweek, July 29, 1968, pp. 3, 55-63.
  • Annual Exhibition, Exhibition Catalogue, Whitney Museum of American Art, NYC. Dec.1967.

Notes et références

Liens externes

Site officiel

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