George Luks

Luks a travaillé pour le journal de Joseph Pulitzer, le New York World[3] - [4] - [5] - [6],

• 1904: National Arts Club (Luks, Glackens, Henri, Sloan, Davies, Prendergast)
• 1908: The Macbeth Galleries exhibition of The Eight
• 1913: The Armory Show (six Luks paintings were included)
• 1937: New York Realists, the Whitney Museum of American Art
• 1943: The Eight, Brooklyn Museum of Art
• 1992: Painters of a New Century: The Eight and American Art, Brooklyn Museum
• 1994: George Luks: The Watercolors Rediscovered, Canton Museum of Art
• 1995: Metropolitan Lives: The Ashcan Artists and Their New York, National Museum of American Art
• 1997: Owen Gallery, New York, 1997
• 2000: City Life Around the Eight, The Metropolitan Museum of Art
• 2007: Life's Pleasures: The Ashcan Artists' Brush with Leisure, 1895–1925, The New York Historical Society
• 2009: The Eight and American Modernisms, Milwaukee Art Museum

• The Butcher Cart (1901), Chicago Art Institute
• The Little Milliner (1905), Toledo Museum of Art
• The Spielers (1905), Addison Gallery of American Art (en)
• The Wrestlers (1905), Museum of Fine Arts, Boston
• The Rag Picker (1905), private collection
• The Old Duchess (1905), Metropolitan Museum of Art
• Hester Street (1905), Brooklyn Museum of Art
• The Cafe Francis (1906), Butler Institute of American Art
• Woman with Macaws (1907), Detroit Institute of Arts
• Sulky Boy (1908), Phillips Collection
• The Guitar (Portrait of the Artist’s Brother with his Son) (1908), Westmoreland Museum of American Art (en)
• The New York River, New York (1910), private collection
• Nursemaids, High Bridge Park, private collection
• Boy with Baseball (1925), Metropolitan Museum of Art

Il eut pour élèves : Norman Raeben, Elsie Driggs, et John Alan Maxwell (en).

• 
  The White Blackbird (Portrait of Margarett Sargent (en)) (1919)
• 
  Armistice Night, 1918, oil on canvas
• 
  Allen Street, c. 1905, Hunter Museum of American Art (en)
• 
  Houston Street, 1917, oil on canvas, Saint Louis Art Museum
• 
  Street Scene (Hester Street), 1905, oil on canvas, Brooklyn Museum
• 
  Otis Skinner as Col. Philippe Bridau, 1919
• 
  Madison Square, c. 1920
• 
  Luks' 1899 cartoon "The menace of the Hour" about "The Traction Monster" after the award of a no bid subway franchise contract by New York City's Tammany Hall[7]