Encoches ou crans sur plan-film
Les encoches ou crans sur les plans-films permettent d'identifier les marques et types d'émulsion (sensibilité, couleur, noir & blanc, inversible). Ils permettent aussi de savoir dans quel sens charger les plans-films et d'empêcher les laborantins de se tromper de procédé.
Encoches et sensibilités ISO des plans-films Kodak
| Type | Code | Lumière du jour Sensibilité ISO/DIN | Tungstène ISO/DIN | |
|---|---|---|---|---|
| Commercial 6127, 4127 | __________ __ _____
\/ |__|
|
20/14 | 8/10 | |
| Contrast Process Pan 4155 | ______ _ ___ _ ____
\/ \/ \/ \/
|
100/21 | 80/20 | |
| Contrast Process Ortho 4154 | ______ _ ___ _____
\/ \/ |__|
|
100/21 | 50/18 | |
| Ektapan 4162 | ____________ _ ___
\/ |___|
|
100/22 | 100/22 | |
| Fine Grain Positive 7302 | _______________ ___
|___|
|
40/17 | 10/11 | |
| Kodalith Ortho 2556, Type 3 | Unnotched | 10/15 | 6/9 | |
| Kodalith Pan 2568 | _______ _ ___ _____
\/ \/ \/
|
40/17 | 36/16 | |
| Plus-X Pan Professional 4147 | ____ _ _ ___ __
\/ \/ \/ |___|
|
125/22 | 125/22 | |
| Tri-X Pan Professional 4164 | _________ _ _ _____
\/ \/ \/
|
320/26 | 320/26 | |
| Tri-X 320 (TXP) | _______ _ ___
\/\/\/ |__|
|
320/26 | 320/26 | |
| Super-XX Pan 4142 | ____________ _ _____
\/ \/
|
200/24 | 200/24 | |
| Tri-X Ortho 4163 | __ _ ____ _ __ \/ \/ \__/ \__/ |
320/26 | 200/24 | |
| Royal-X Pan 4166 | ___ _ _ ___ ___ \/ \/ \/ |___| |
1250/32 | 1250/32 | |
| Royal Pan 4141 | ____________ ___ ___
\/ \/
|
400/27 | 400/27 | |
| T-Max 100 Professional 5052 | _____ ________ _____
\/ \/
|
100/21 | 100/21 | |
| T-Max 100 (100TMX) | _________ ____
\/\/\/\/
|
100/21 | 100/21 | |
| T-Max 400 Professional 5053 | _______ _ _ ____
\/ \/ |___|
|
400/27 | 400/27 | |
| T-Max 400 (400TMY) | _________ _ ___
\/\/ |__|
|
400/27 | 400/27 | |
| Professional Copy 4125 | __ ____ _ _ __ \/ \/ \__/ \__/ |
25/15 | 12/12 | |
| Pan Masking Film 4570 | __ __________ __ __ \/ \/ \/ |
|||
| Matrix Film 4150 | _ _ _ ____ ___ \/ \/ \__/ \__/ |
|||
| Pan Matrix 4149 | __ ____ ____ ______ \/ \/ \/ |
|||
| Separation Negative 4131, Type 1 | ____ _ _ ______
\/ \__/ \__/
|
|||
| Separation Negative 4133, Type 2 | _______ __ _____
\__/ \__/
|
|||
| High Speed Infrared 4143 | ____ __ __ __ ___
\/ \/ \/ |___|
|
|||
| Ektachrome 64 Professional 6117 | ___________ _ __
╰----╯ \/
|
64/19 | 16/13 (with 80A) | |
| Ektachrome 100 Professional 6122 | _____ _ _ _ __
\/ ╰----╯ \/ \/
|
100/21 | 25/15 (with 80A) | |
| Ektachrome 100 Plus Professional 6105 | ________ _ _ __
╰----╯ \/ \/
|
100/21 | 25/15 (with 80A) | |
| Ektachrome 200 Professional 6176 | __ _ _ _ _ __ \/ \/ ╰----╯ \/ \/ |
200/24 | 50/18 (with 80A) | |
| Ektachrome 64T Professional 6118 | ________ _ _ __
\/ ╰----╯ \/
|
40/17 (with 85B) | 64/19 | |
| Ektachrome Duplicating 6121 | _____ _ _ _ __
\/ \/ ╰----╯ \/
|
Encoches et sensibilités ISO des plans-films Ilford
| Type | Code | Lumière du jour Sensibilité ISO/DIN | Tungstène ISO/DIN | |
|---|---|---|---|---|
| Ortho Plus | _______________ _____
╰╯
|
80/20 | 40/17 | |
| FP4 Plus (New) | __ ___ ______ ___ ╰-╯ ╰╯ ╰-╯ |
125/22 | ||
| FP4 Plus (Old) | ________ _______ ___
╰╯ ╰╯
|
125/22 | ||
| HP5 Plus (New) | __ ______ ___ ___ ╰-╯ ╰╯ ╰-╯ |
400/27 | ||
| HP5 Plus (Old) | ___ ___ _______ ___ ╰╯ ╰╯ ╰╯ |
400/27 | ||
| Delta 100 Professional | _ __ _ ___ _____ ╰-╯╰╯╰╯ ╰-╯ |
100/21 | ||
| Delta 400 Professional (New) | _ ____ _ _ _____ ╰-╯ ╰╯╰╯╰-╯ |
400/27 | ||
| Delta 400 Professional (Old) | __________ _ __ ___
╰╯╰╯╰╯
|
400/27 | ||
| XP2 Super (New) | _ __ _ _ __ ___ ╰-╯╰╯╰╯╰╯╰-╯ |
400/27 | ||
| XP2 Super (Old) | ____ _ __ _ ______
╰╯╰╯╰╯╰╯
|
400/27 |
Encoches et sensibilités ISO des plans-films Fuji
| Type | Code | Lumière du jour Sensibilité ISO/DIN | Tungstène ISO/DIN | |
|---|---|---|---|---|
| Fujichrome Velvia | __________ ________
╰---╯
|
50/18 | 16/13 | |
| Fujichrome Velvia 100 | _ ______ ________ ╰╯ ╰---╯ |
100/21 | 32/16 | |
| Fujichrome Velvia 100F | __ __ __ ________ ╰╯╰╯╰---╯ |
100/21 | 32/16 | |
| Fujichrome Astia 100F | _ _ ____ ________ ╰╯╰╯ ╰---╯ |
100/21 | 32/16 | |
| Fujichrome Provia 100F | _______ _ _ ____
╰╯╰---╯╰╯
|
100/21 | 32/16 | |
| Fujichrome T64 | _______ _ _ __ _
╰╯╰---╯╰╯╰╯
|
64/19 | 32/16 | |
| Fujicolor Pro 160S | ________ ___ __
\_____/ ╰╯
O
|
160/23 | 50/18 | |
| Fujicolor Pro 160C | __ _____ _______
╰╯ \_____/
O
|
160/23 | 50/18 | |
| Fujicolor NPL 160 | __ _ __ ___ __
╰╯╰╯ \____/ ╰╯
0
|
100/21 | 160/23 | |
| Fujichrome Duplicating Film CDU Type II | __________ ____ __
╰---╯ ╰╯
|
|||
| Fujicolor Internegative Film | __________ _ ___
\____/ ╰-╯
0
|
Voir aussi
- Large format
- View camera
- Film holder
- Film format
- Speed Graphic
Références
Liens
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