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Dragan Ilic

Dragan Ilic[1], né à Belgrade (Serbie) en 1948 est un artiste serbe, australien et américain.

Dragan Ilic
une illustration sous licence libre serait bienvenue
Naissance
Nom de naissance
Dragan Ilic (Ilich ou Ilič)
Nationalité
Activités
Autres activités
Art contemporain assisté par ordinateur

Biographie

ImmigrĂ© en Australie, puis Ă  New York, Dragan Ilic (BFA)[2] s’est imposĂ© comme l’un des spĂ©cialistes de l’Art contemporain assistĂ© par ordinateur[3] - [4] - [5].

Il se fait connaĂźtre dĂšs le dĂ©but des annĂ©es 1970 au travers d’expositions (de groupe[6] ou en solo[7]), de performances/ d’installations[8], de vidĂ©os[9], de films[10], de programmes de tĂ©lĂ©vision[11], de confĂ©rences et d’ateliers[12] organisĂ©s dans le monde entier.

Son travail apparait Ă©galement dans de nombreux livres et de nombreuses publications[13].

Il vit et travaille désormais entre New York et Belgrade.

Notes et références
  1. Le nom de famille Ilic s’orthographie indiffĂ©remment Ilich ou Ilič
  2. BFA : Dragan Ilic obtient le Bachelor of Fine Arts de l’ANU (Australian National University) School of Art Canberra, 1974-75. En France, ce diplĂŽme est trĂšs souvent Ă©quivalent Ă  la licence d'arts plastiques mais aussi au diplĂŽme national d'arts plastiques.
  3. Festival Kiblix, MIG21 Exhibition 2016 (Migratory interdisciplinary grid 21), Maribor, Slovénie, Artist Talk avec Dragan Ilic, 11 novembre 2016 ().
  4. Pierre-Berthelot Kleck, Creators Vice, DI-2K4 : le dernier projet de l'artiste serbe Dragan Ilic, se sert de son créateur comme d'un pinceau, 30 août 2016 ().
  5. Julien Cadot, Numerama, Pop Culture, « Petite pause réflexion sur l'art à l'Úre du numérique et de l'automatisation avec l'artiste serbe Dragan Ilic et son robot », 29 août 2016 ().
  6. Exposition de groupe : 1987 Eye of A Storm photo show, Tamura, Tokyo, Japon 1987 Eye of A Storm photo show, Sugizaki Gallery, Sendai, Japon 1987 Eye of A Storm photo show, Les Bois, Osaka, Japon 1985 Paintings, Semaphore, Manhattan, NY, États-Unis 1985 Projections for ’85, Kamakazi, Manhattan, NY, États-Unis 1984 Sculptures, 25,000 Sculptures, Civilian Warfare, Manhattan, NY, États-Unis 1984 Paintings, Limbo Lounge at P.S. 1, Long Island City, NY, États-Unis 1984 East Village sculpture, Santa Barbara Museum, Santa Barbara, CA, États-Unis 1983 Don’t Carry Mugger Money, Pier 34, Manhattan, NY, États-Unis 1983 Food for the Soup Kitchens performance, Fashion Moda, Bronx, NY, Etas-Unis 1983 Multiple sculptures (a Colab project), Moore College of Art, Philadelphie, PA, États-Unis 1983 Paintings and sculpture installation (a Colab project), The Ritz, Washington, D.C., États-Unis 1983 Sculpture installation, Terminal New York, Brooklyn, NY, États-Unis 1983 Paintings, Fashion Moda, South Bronx, NY, États-Unis 1983 Post-card installation, ABC No Rio, Manhattan, NY, États-Unis 1982 Sculptures, Monumental Redefined, Brooklyn, NY, États-Unis 1982 Ten Yugoslav Artists, sculpture, Alternative Museum, Manhattan, NY, États-Unis 1982 Multiple liquid sculptures, Fashion Moda Group, including Kiki Smith, Joseph Beuys, Tom Otterness, Claes Oldenburg, Joseph Nechvatal, Joe Lewis, Chris Kohlhofer, Jenny Holzer, Keith Haring, and Stefan Eins; documenta, Cassel, Allemagne 1981 Performance-Festival ‘81, Kölner Kunstchule, featuring Wolf Vostell, Valie Export, and Orlan 1980 New York Avant Garde Festival, Pier 81, featuring Jeanette Ingberman and Charlotte Moorman 1980 Sculptures, Braathen-Gallozzi Gallery, Manhattan, NY, États-Unis 1980 Paintings, Wagga Wagga Invitational, Wagga Wagga, Australie 1980 Sculptures and drawings, Powell Street Gallery, Melbourne, Australie 1980 Drawings, West Street Gallery, Sydney, Australie 1972 Sculptures, Centre Cineman Gallery, Canberra, Australie.
  7. Expositions en solo : 2012 Plus 20, ITS-Z1, Ritopek, Belgrade, Serbie 2003 Drawing/Devices, Kentler International Drawing Space, Brooklyn, NY, États-Unis (), (), (), (), () 1988 Cluster Z-II, Experimental Film/Video Festival, Tokyo, Japon 1986 Aesthetics of OuterSpace, Ground Zero, Manhattan, NY, États-Unis 1985 Video, painting, sculpture exhibition, Tamura Gallery, Tokyo, Japon 1985 Video, painting, sculpture exhibition, Civilian Warfare, Manhattan, NY, États-Unis 1982 Sculpture and painting installation, Offen Gallery, Köln (Cologne), Allemagne 1982 Sculpture and painting installation, Gallery ’73, Belgrade, Yougoslavie 1982 Don’t Carry Mugger Money, Street performance, Manhattan, NY, États-Unis 1981 Sculpture, drawing, and xerox work, Gallery “A”, Amsterdam, Pays-Bas 1981 Gallery Cogeime, Brussel-Bruxelles, Belgique 1981 Painting, drawing, film installation, Laura Vincy Galerie, Paris, France 1980 Sculpture, drawing, film installation, Braathen-Gallozzi Gallery, Manhattan, NY, États-Unis 1978 Drawing, painting, and sculpture, Jan Cicero Gallery, Chicago, IL, États-Unis 1977 Sculpture and painting installation, Pinacotheca Gallery, Melbourne, Australie 1976 Paintings, Coventry Gallery, Sydney, Australie strong 1976 Video and sculpture installation, Goethe Institute, Canberra, Australie 1975 Drawings and sculptures, Solander Gallery, Canberra, Australie.
  8. Performances et installation : 2012 The People I Don’t Like, Performance and Installation, organisĂ©e par Peter Silver, professor Ă  l’University de Westminster, London, United Kingdom 2011 RoboAction 9, Performance and Installation, Studio View, Brooklyn, NY, États-Unis 2011 RoboAction 8, Performance and Installation, Studio View, Brooklyn, NY, États-Unis 2010 Roboaction 8, Interactive Site-Specific Drawing, ID Space, NY, États-Unis 2010 Roboaction 7, Museum of Science in Boston, National Robotics Week 2009 Roboaction 5, Interactive performance and installation, Fluid v2, Queens Museum of Art, New York, États-Unis 2008 The People I Don’t Like, Interactive performance and installation wherein artist repeated the names of people he didn’t like and audience members threw 50,000 pencils at him; performance was stopped after nine minutes due to injuries to the artist’s face, CZKD, Center for Cultural Decontamination 2004 Roboaction II, Interactive Drawing Installation, Gallery of SKC, Belgrade, Serbie 1987 Untitled, multi-media performance, Art Space, organized by Shozo Shimamoto of Gutai group, Nishinomiya, Kyoto, Japon 1986 Untitled, Kamakazi, Manhattan, NY, États-Unis 1986 Thunder HB2, Danceteria, Manhattan, NY, États-Unis 1983 The People I Don’t Like, #5 (a COLAB project featuring Kiki Smith and Scott Pfaffman), The Ritz, Washington D.C., États-Unis () (Page 6 du catalogue) 1983 Elemental Voltage, Terminal New York, Brooklyn, NY, États-Unis 1983 The People I Don’t Like, #4, Danceteria, Manhattan, NY, États-Unis 1983 Performance and audio/visual exhibition, No Se No, Manhattan, NY, États-Unis 1983 Kitchen Soup Exhibition for Jesse Jackson, Storefront for Art & Architecture, Manhattan, NY, États-Unis 1981 Untitled, Lara Vincey Gallery, Paris, France 1981 Untitled outdoor performance, Gallery “A”, Amsterdam, Pays-Bas 1981 Untitled, Mixage Gallery, Caen, Normandie, France 1981 Untitled, Performance Festival ’81, Köln (Cologne), Allemagne 1980 Electronic Pencils XVII, Apple Gallery, Amsterdam, Pays-Bas 1980 Installation performance, featuring fifty artists including Otto Piene, curated by Charlotte Moorman and Jeanette Ingberman, New York Avant Garde Festival, Manhattan, NY, États-Unis 1979 Electronic Pencils XIII, Adelaide Festival Centre, Trust Gallery Adelaide, Australie 1979 Electronic Pencils XII, Sculpture Centre, Sydney, Australie 1979 Electronic Pencils XI, Experimental Art Foundation, Adelaide, Australie 1979 Electronic Pencils XV, Adelaide College of the Arts & Education, Adelaide, Australie 1978 Electronic Pencils X, Sculpture Centre, Sydney, Australie 1978 Electronic Pencils XIII, N.A.M.E. Gallery, Chicago, IL, États-Unis 1978 Electronic Pencils IX, Jan Cicero Gallery, Chicago, IL, États-Unis 1977 Speeding Art II, commissioned by Arts Council, Commonwealth Gardens, Canberra, Australie 1977 Electronic Pencils III, Pinacotheca Gallery, Melbourne, Australie 1977 Electronic Pencils IV, Atliner Gallery, Bungadore, Australie 1977 Electronic Pencils IV, Sculpture Centre, Sydney, Australie 1977 Electronic Pencils VII, Chanel 10, Sydney, Australie 1976 Speeding Art I, Avalon Beach, Sydney, Australie 1976 Electronic Pencils I, Film & TV School, Sydney, Australie 1976 Electronic Pencils II, Conservatory of Music, Sydney, Australie.
  9. Vidéos : 2017 Ars Electronica 2017, Linz, Autriche, RoboAction A3 K3 par Dragan Ilic, « Intermedia / trans-technological performance / installation », du 7 au 11 septembre 2017 (), 2016 Ars Electronica 2016, Linz, Autriche, RoboAction(s) A1 K1 par Dragan Ilic, « Intermedia/trans-technological performance/installation », « Festival RADICAL ATOMS and the alchemists of our time », « THE SPEED OF LINE », du 8 au 12 septembre 2016 (), 1983 Speeding Art II, Plexus, Manhattan, NY 1982 Electronic Pencils XII, Grand Theater, Groningen, Pays-Bas 1981 Electronic Pencils XII, Joh Borutshosjkole, Copenhagen, Danemark 1981 Electronic Pencils XII, Studio de la Musique, Paris, France.
  10. Films : 1987 Fifth, Park & Madison, New York Film Festival, Downtown, États-Unis 1986 Cluster Z 1, New York Film Festival, Downtown, États-Unis 1984 Electronic Pencils XII, New York Film Festival, Downtown, États-Unis.
  11. TĂ©lĂ©vision : 2018 ARTE, Tracks, « Dragan Ilic : Portraits-robots », diffusion du 16 fĂ©vrier 2018 (). 2010 RTS Belgrade. Interview presentation. 1983 Manhattan Cable, Channel J. Untitled performance. 1983 Manhattan Cable, Channel J. “X Art 35,” ten minute untitled performance. 1978 Channel 7. Sydney, Australie. Fragments of “Electronic Pencils – X.” 1978 NBC Channel 7 News. April, Chicago, IL. Fragments of “Electronic Pencils – XIII.” 1978 ABC Channel 5. April, Chicago, IL. Fragments of “Electronic Pencils – XII.” 1977 Channel 9. Sydney, Australia. Fragments of “Electronic Pencils – VI.” .
  12. ConfĂ©rences et ateliers : 2012 Westminster University, Londres, Royaume-Uni. 2009 Guest lecturer, Academy of Fine Art, Belgrade, Serbie. 1985 Guest lecturer with performance, organized by performance artist Stelarc, International School, Yokohama, Japon. 1985 Guest lecturer with presentation, School of Visual Arts, Manhattan, NY, États-Unis.
  13. Bibliographies : 2010 Istorjia Umetnosti u Srbiji xx Vek, Photographs, by Misko Suvakovic. 2008 Glas Srpske, Photographs and feature, by Dejan Vujanic. 2008 Politika, Feature, by Marijia Djordjevic. 1990 Anniversary Founding Yon G: Newspaper Festival, “Dragan Ilic & Mu Se Jung,” Korea. 1987 Art World Magazine, Interview, Seoul, CorĂ©e du Sud. 1987 Bijutsu Techno Art Magazine, “Now East Village”,Tokyo, Japon. 1987 Cover, “Film Festival Downtown,” by Michael Carter, New York, NY, États-Unis. 1987 The Phoenix, “East Village Art, Brooklyn Artists,” by Baird Jones. 1986 East Village, Documentary, by Roland Haggenberg. 1985 East Village Eye, Review, April, by Celeste-Monique Lindsey. 1985 Bijutsu Techno, “East Village,” Tokyo, Japon. 1985 ABC No Rio, DeNero, pp. 120, 179. 1984 East Village Eye, “Psycho Dragan,” July, by Dorothy Friedman. 1983 The New York Times, “‘Elemental Voltage’ Ă  Brooklyn,” par Bernard Holland. 1983 Bijutsu Techno, “No Se No,” Tokyo, Japon. 1983 New York Daily News, Installation photo, September. 1983 The Village Voice, Reproduction of drawing as a musical score, October. 1983 East Village Eye, “Dragan Ilic at Limbo Lounge,” par Carlo McCormick & Walter Windshield. 1983 The National Times, Interview, Decembre, par Elisabeth Wynhausen, Australie. 1983 High Performance, Photographs of performance, “The People I Don’t Like, #3,” Novembre, par Kyung Park, Los Angele, CA, États-Unis. 1982 Kunstforum International, Color photograph and short item on sculpture, AoĂ»t, par Annelie Pohlen, Allemagne. 1981 Attribune, Photographs and feature, Mau, Brussel-Bruxelles, Belgique 1981 Arts Magazine, “Second Biennial of Yugoslav Art,” FĂ©vrier, par Barbara Cavaliere 1980 NIN, “Craziness and Brazil Coffee at Venice Biennial,” Juin, par Steven Stanic, Belgrade, Yougoslavie. 1980 +-0, Article, par Terry Reid. 1979 The Australian, “Pushing Pencil Power,” Novembre, par Sandra McGrath. 1979 Sydney Morning Herald, “Packing an Artistic Punch,” par Nancy Borlase. 1979 Cleo, “Pencil Pushing,” Septembre, by John Davies. 1979 Adelaide Sunday Mail, “Penciling in Some Gaps,” Avril, par Noel Sheridan. 1979 The Adelaide Advertiser, “Sculptor Makes His Point,” par Peter Farrell. 1979 Aspects, “Performance Art is Australia,” Edition de l’étĂ©, par Mike Parr. 1978 Cantrille Film Notes, “Dragan Ilic at Pinacotheca,” Mai, Melbourne, Australie. 1978 76 Pages, Photograph of sculpture, par Robert Jacks. 1977 The Canberra Times, “Showmanship and Spark of Genius,” par John Reid. 1976 Sydney Morning Herald, “Art Hits the Beach,” FĂ©vrier. 1974 The Canberra Times, “There’s Art in Them Thar Hills,” Octobre, par Edna Boling.
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